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I weigh 72 kilos now. it's difficult to sleep, maybe I dream of
the talks and people. we chat and eat pastries, they're very
sweet. my kids greet me back home. I drive fast on the highway,
it's late, my side view mirror is smashed too. I buy algerian
pastries from a new shop in belleville where my car is parked.
we (pit, diana and martin) are having a drink rue saint-maur and
debate the past days and favorite topics like mailing-list
moderation (nay!). We leave the museum and decide to keep our
badges as forbidden souvenirs. after talking to the french
underground comix posse (very nice girl with yellow boots and
glasses) we witness fredox doing his presentation of "le dernier
cri", he says "what is there to say about a publisher other than
that they make books!", the video is playing at the wrong speed
no on notices it, but this is why we can't hear the sound.
fredox is great fun, he has lots of serigraphed books to show.
martin conrads is very seriously fun too. I like his new suit.
he talks about formats and let's us hear excerpts from convex
archives, a tennis match. he greets the brits and it's the turn
of josephine berry to tell of crash media, though people (like
rachel baker) want also to talk of "revolting" and manchester;
josephine is a cross between medieval hi tech and paesant
hipness, jet-lagged. she is tired but it does not show. she says
that crash media did not really fulfill its original intentions
to be a local (manchester) initiative. during the break kate
introduces me to brian holmes, one of those people who are in
paris and on the net but that I do not get to meet in the flesh.
people come and go. it was matthew fuller who had proposed a
break, during which we talk of the small attendance and working
with institutions; some attendees say that he did his best
presentation they have seen; standing up all the time, the video
is playing behind him, the june 18th protest; it did not happen
in france; an intense presentation I believe, he is abrasive and
sharp: roman. pauline van mourik history of mute magazine in a
humourous non-indulgent and bright way; the audience leap at the
few issues she has dropped on the desk, including the pink paper
early version which I believe to be a collector's item. it was
distributed for free initially. the internet connection works.
the video works. the sound works. I get lost in my reverse
history. when was diana mc carthy on ? I introduce her as
cyberfeminism , she says that she does not
understand those words. she talks of the women-only "faces"
mailing list. she wants to have a discussion with the audience.
josephine had said "a group talking to itself", isn't it always
the case ? even if there is an audience. it does not matter
much. like fredox having brought his friends. like martin and
josephine and the others departing, giving each others big hugs
as martin is "on stage". I find this very touching. last week,
the net art week-end, I was constantly accompanied by 15-20
people. this week they all scatter in random groups that reform
or disband w/o me. I like it when diana's head tilts away and
comes back. she is a great joker. where was I ? greeting alain
the video technician from the museum, he is very efficient and
quiet. I tell him to unplug the webcast applicances. I don't
know if they will be here today. one guy arrives, late during
the talk and summons a guardian which points him to matt. they
go to the webcast booth together and after a while I see that
matt looks puzzled, the other guy very upset. where have all the
cables gone ?! who has fucked with his hardware ?! where is
nicolas tremblay ?! the curator! I tell him I don't care. I tell
him to call alain. I tell him that I interviewed him about
"ondes sans frontieres". I tell him that it was published in
Mute magazine, this woman is prensenting it right now. Nice, he
says, and phones extension 4039, like I told him. that's where I
was. pauline was speaking. diana ? rachel ? josephine ? matt
now. he lays beautiful posters from mongrel on the tables and
chairs. web stalker stickers. neat.. was I ? downstairs,
upstairs. you can't drink coffee here. can we buy your cable ?
it's a quarter to twelve the museum is not opened. the nearest
open bar in this posh area of paris is one kilometer away. un
double express. I am driving on the highway, side view mirror
smashed. I kiss the kids good-bye, nina wanted to come, she is
sleeping. I remember I used to weigh 74.5 kilos 10 days ago. we
slept late, after the telebocal launch party, after driving on
the highway. side view mirror smashed. gotta fix things.
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